News & Observer Review- Roy C. Dicks
Most people know of Andrew Lloyd Webber's stage-filling extravaganzas "Cats" and "Phantom of the Opera." But he also can be intimate, as in "Tell Me on a Sunday," a one-woman one-act musical being staged by Hot Summer Nights at the Kennedy with Raleigh's own Broadway star, Lauren Kennedy.
The hour-long piece has a varied history. It started as a 1979 British concept album, and then became one-half of the 1982 musical "Song and Dance." The story of a young English woman finding love and adventure in New York City was substantially revised for its 1985 Broadway run and reworked again for its 2003 and 2010 versions.
Although the show has some of Lloyd Webber's catchiest songs, critics have faulted the shallow plot that concentrates on Emma's series of failed relationships and complained about her unsympathetic, self-centered character.
The right performer can sway reactions to the show, however, and Lauren Kennedy proves it with a warmly charming interpretation. It helps that the script has been completely Americanized and fitted to Kennedy's persona, turning Emma into an optimistic innocent from North Carolina gone to the Big Apple to seek her fortune in the theater.
The show's clever structure has Emma singing not only to herself, but also to unseen boyfriends, best pal Viv and her mother back home. Kennedy makes Emma's hurt when she finds her new boyfriend is unfaithful readily believable. When Emma follows a film producer to Hollywood, Kennedy astutely projects her initial star-struck awe and eventual boredom. After Emma returns, Kennedy knowingly charts her relationships' progressive sophistication and coldness, eventually leading Emma to realize she has changed too much.
Kennedy confidently sings Lloyd Webber's range of styles, making the several versions of "Take That Look Off Your Face" full of conflicting emotions and the title song appropriately soaring. Kennedy impresses with her stamina and charisma throughout, deftly guided by director Matthew-Jason Willis.
This is the company's most technically accomplished production this season. A simple brick wall on which appropriate photos and videos are projected backs minimal furnishings. Chris Bernier's lighting design adds intriguing color and movement. Julie Florin's five-piece band (placed high above the action to one side) supplies mellow accompaniment in beautifully balanced sound, Kennedy's lyrics and quiet moments coming through clearly. However, tempo choices sometimes seem more relaxed than necessary, allowing the pace to sag in places.
Musical fans should take this rare opportunity to experience Lloyd Webber in miniature and Lauren Kennedy up close and personal.
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